The Hearing Eye

The Hearing Eye

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qSelling that stuffq: advertising art and early blues on 78s / Paul Oliver --Blues on the brush: Rose Piper's blues and Negro folk songs paintings of the 1940s / Graham Lock --Michael Cummings: stitching in tempo --qPure eye musicq: Norman Lewis, abstract expressionism, and bebop /Sara Wood --Sam Middleton: the painter as improvising soloist --Theenigma of Bob Thompson / Richard H. King --Wadsworth Jarrell and AFRICOBRA: sheets of color, sheets of sound --qWe used to say 'stashed'q: Romare Bearden paints the blues / Robert G. O'Meally --qBlues and the abstract truthq: or, did Romare Bearden really paint jazz? / Johannes VAplz --Joe Overstreet: light in darkness --Royalty, heroism, and the streets: the art of Jean-Michel Basquiat / Robert Farris Thompson --Ellen Banks: the geometries of the score --qAnd you slip into the breaks and look aroundq: jazz and everyday life in the photographs of Roy DeCarava / Richard Ings --AJackson in the house: musicians talk painters.I know a lot of black people who would rather have a Mercedes Benz to impress people than have an old utility vehicle and buy a great painting. Some folks think you gotta have an expensive car! [Laughs.] Well, whata#39;s more important, history or your car? I think the historya#39;s much more important than a damn car! To see more paintings by Joe Overstreet, including other works from his Storyville Series, please go to the Hearing Eye Web site at www.oup.com/us/ thehearingeye. 10. 11.


Title:The Hearing Eye
Author: Graham Lock, David Murray
Publisher:Oxford University Press - 2009
ISBN-13:

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